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With nearly 1,168 cues and 140 animation “cuts,” Rahmanian compares the live shadow play to a film, combining puppets, masks and digital animation to tell the story. “It’s basically a live animation.

Never work with children or animals, goes the actors’ maxim. Perhaps add puppets to that, too. “We’ve got the trifecta right here,” says Australian puppeteer Peter Wilson during rehearsals for “Bali ...

Shadow Machine/Netflix In a career spanning more than three decades, Georgina Hayns has been making puppets that have been brought to life through the art of stop-motion animation on TV shows and ...